“August Wilson and the Anti-spectacle of Blackness and Disability in Fences and Two Trains Running.” College Language Association Journal, vol. 61, no. 1-2, 2018, pp. 65-83.
“Witnessing and Wounding in Suzan-Lori Parks’s Venus.” Multi-Ethnic Literature of the US (MELUS) – Special Issue: Visual Culture and Race. 39.2 (2014): 188-207.
“Navel-erasing: Androgyny and Self-Making in Toni Morrison’s Song of Solomon and Jamaica Kincaid’s The Autobiography of My Mother.” Imagining the Black Female Body: Reconciling Image in Print and Visual Culture. Ed. Carol Henderson. New York: Palgrave MacMillan, 2010. 145-161.
“Holler if Ya Hear Me – Book by Todd Kriedler, Lyrics by TuPac Shakur. Directed by Kenny Leon. Palace Theatre, Broadway. New York City (Review) 21 June 2014.” Theatre Journal. Volume 61.1 (2015):124-127.
“Stick Fly by Lydia R. Diamond.” Directed by Kenny Leon. Cort Theatre, New York City. (Review) 7 December 2011.” Theatre Journal. Volume 64.3 (2012): 441-444.
“Trans-formations: Black Women and Gender Performance in the Nineteenth and Early Twentieth -Century.” Modern Language Association Annual Meeting, Austin, TX. (January 2016).
“Healing Theory: The Personal and the Pedagogical.” Black Women’s Intellectual Work for Our Times. Minding the Field: Exploring and Expanding Women’s and Gender Studies in North Texas. UT Arlington. (October 2015).
“The Sight of Memory: Re-visioning Slave Subjectivity in Lydia Diamond’s Harriet Jacobs.” American Studies Association Annual Meeting, Toronto, Canada. (October 2015).
“The Walking Dead: Black Bodies and the Law.” Northeast Modern Language Association. Toronto, Canada (May 2015).
“Bearing Witness: Performative Emotionality in Contemporary Black Theatre.” Modern Language Association, Vancouver, Canada. (January 2015).
“‘Your silence will not protect you’: Audre Lorde and the Black Female Body in Pain.” Celebrating African American Literature, Penn State University (October 2013).