“Adam Mansbach’s Post-Racial Imaginary in Angry Black White Boy” in Neo-Passing: Performing Identity After Jim Crow eds. Mollie Godfrey and Vershawn Young. Urbana, IL: University of Illinois Press, 2018. 84-95.
“And You Know This Man!”: Love, Humor, and Masculinity in Friday” Black Camera: An
International Film Journal 8.2 (2017): 243-254.
“Laughing to Keep from Crying: Dave Chappelle’s Self-Exploration with ‘The Nigger Pixie’” in
The Psychic Hold of Slavery: Legacies in American Expressive Culture eds. Soyica Colbert,
Robert Patterson, and Aida Levy-Hussen. New Brunswick, NJ: Rutgers University Press, 2016.
“I Felt Like I Was Part of the Troop:’ Satire, Feminist Narratology, and Community” in Post-Soul Satire: Black Identity after Civil Rights. eds. Derek Maus and Jim Donahue. Jackson, MS: UP of Mississippi, 2014. 125-136.
Masculine Expression in Contemporary Satire” Keynote
Address, En/Counter Narratives: A Critical Ethnic Studies Symposium, Indiana University, Bloomington, IN, March 2017.
“It’s Got to Be Better In Phoenix”: New Frontiers for Black Women and Singleness in the U.S. West. Single Lives: 200 Years of Independent Women in Literature and Popular Culture. Dublin, Ireland. October 2017
“Begging Me to Hit Him Harder”: Black Masculine Pain and Pleasure in Paul Beatty’s The
Sellout.” NWSA: National Women’s Studies Association. Montreal, Quebec. November 2016.
“‘Yeah, but You Raped Women’: Hannibal Buress’s Post-Civil Rights Comedic Critique of Bill
Cosby.” MLA: Modern Language Association. Austin, Texas. January 2016.
“Trigger Warnings.” (Roundtable) MLA: Modern Language Association. Austin, Texas. January 2016.